An AI image and video tool that swaps prompt roulette for stage building: layer compositing, three dimensional scenes, character poses, and more than sixty models in one canvas.

One workbench for retouching, design and collage, running in a browser and as a desktop program. One tap enhancement, portrait tools, template driven posters and social images, and batch adjustments. The basics are free; advanced features and watermark removal need a subscription.

Instead of one trick per site, this puts upscaling, sharpening, denoising, restoration, colourisation and a video line under one account and one credit balance. There is also a desktop build that keeps files on your own machine and does not spend credits at all.

Not an application but a paper and its reference implementation, trained purely on synthetic degradations and loosely licensed enough that a whole shelf of GUI products wraps it. Three ways in, with different costs.

A desktop application that enlarges images on your own graphics card and touches no network. The catch is stated early: it needs a Vulkan-capable GPU, and a cloud tier handles the jobs your hardware cannot.

Tools are organised by what went wrong with the frame, not by the order of a workflow. Rendering runs locally by default so files stay on the machine, with unlimited cloud rendering when the graphics card is the bottleneck.

A text-to-image service sold to developers rather than a drawing website: the in-house engine is exposed through two endpoints, handles plain text, a reference image and text-driven edits, and returns up to eight images per call.

A text-to-image model that draws Chinese hanzi correctly instead of producing gibberish, releases its code and weights, and plugs into an existing generative workflow — while the consumer entry now lives on another platform.

The third generation produces up to thirty seconds of multi-shot footage with dialogue, music and effects in one generation, takes up to twenty multimodal references including documents and web pages, and lets the result be edited and extended.

Image generation, video generation and a canvas that keeps the result editable share one entrance, both the opening and closing frame can be pinned, and the workflow is built around Chinese prompts.

The vector variant writes editable SVG files rather than raster images, a handful of references can lock an entire brand style without training, and text length and placement stay under control.

The in-house models are trained only on licensed and public-domain material, output without a beta label is cleared for commercial work, and generative fill lives inside Photoshop instead of beside it.

The compact member of the second generation does text to image, single-reference editing and multi-reference composition with the same weights, opens fully for commercial use, and runs on a mid-range gaming card.

A self-hosted image workstation under Apache 2.0 where generation and retouching share one infinite canvas, layers can carry their own prompts, and a node graph waits behind the canvas for anyone who needs a process they can repeat.

Built entirely on SDXL with the sampling parameters tucked behind presets. A GPT-2 prompt engine runs offline to fill in the details, so one short sentence is enough to get four finished pictures.